Sounds of Silence

Be careful what you wish for because sometimes the sounds of silence are deafening.

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I have mentioned it a couple of times in the past how my oldest child corners me in the car and peppers me with questions. Some of them very difficult. Sometimes I dreaded the ride.

Since she started kindergarten this year, that car ride has been reduced from approximately 10 minutes to less than one. I now drop her off with a woman very near us who watches kids in the morning before they head off to school.

At first, I thought this would give me some time with my youngest. A few minutes in the morning for us to bond. She’s more reserved than her sister, and sometimes this can mean her sister overshadows her. However, my youngest daughter is NOT a morning person.

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Yeah, about like this.

 

So, while the occasional squirrel gathering nuts, dog being walked, or goose parade gets a comment, most mornings it’s just quiet. I’ll ask her questions, try to sing to her, and all I get is either a grumpy grunt or, “Walk away, momma!” That is her general response for leave me the heck alone, and is said in an angry, crabby toddler voice.

So, I let her have her quiet time.

Maybe once I get used to this, I can use the time to think through plots, characters, and story arcs. Or maybe I’ll use it as time to plan my day. Or maybe I’ll follow her lead and just use it as time to wake up.

Life so seldom works out the way you think it will. Who knew I’d miss questions about how big the earth is, why is the south pole colder than the north pole, and why boys don’t say excuse me when they fart?

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But I do.

Kids are amazing, wonderful, horrible creatures that consume your writing time and make you worry. They are expensive and infuriating. And they’ll make your heart melt when they give you a card out of the blue telling you how much they love you.

It’s a wild ride, tumultuous and full of the unexpected. Like missing fifty questions in the morning.

 

How about you? Ever gotten an unexpected break from something and found you missed it more than you thought you would? Or maybe you think I’m crazy, and you were totally relieved to get a few minutes of peace?

Book Review: Her Viken Mates

Book: Her Viken Mates

Author: Grace Goodwin

Viken

This is not my normal reading fare, as you may have noticed from my other book reviews. I am not entirely sure why I picked it up.

Okay, that’s not true. I do know. It was curiosity, plain and simple. It appeared in my Amazon feed, and while I was intrigued, but didn’t buy it. The book then intruded on my consciousnesses during my drive home, and as I had some digital credit with Amazon, I decided to give in to temptation and see what it was all about.

 

Characters

These are flat, one dimensional characters. Expect no growth because you’re not going to get any.

 

Plot

There was one. Somewhere. But it’s even less important than most other romance novels I’ve read. The plot is as one dimensional as the characters, and I’m actually somewhat surprised how contrived it was. I was shocked how quickly characters believed a heroine from another planet who was there as an interstellar bride. There is no real reason for them to do that. Nor is there a reason that the villain would do what they did or give their hand away as they did. But, you know, plot wasn’t what this book was about.

 

Steamy Scenes

This is why you’re reading the book. The novel opens with steamy scenes, and the steamy bits probably take up at least 50% of the story, maybe more. It does include multiple lovers simultaneously, and I have never read anything like it, though I know this is not uncommon in romance. Just uncommon to me. As far as I can tell, the author handled it well.

 

Writing Style

While the writing was just okay, it was relatively free of grammatical and punctuation errors. It was also properly formatted to the Kindle. When she did a jump in PoV, which she did often, she used a new chapter and labeled the chapter with the person whose eyes you were now seeing through.

 

Themes

Despite the fact that this was really just an excuse for steamy scenes, there were some pretty interesting themes running through a book that was mostly steamy scenes. Issues of trust came up time and again, but more than just trust, it was also about consent. This played throughout the book. I was pleasantly surprised by this. There was never even a hint of rape culture in the book, and while rushed, it did let the heroine explore her sexuality without guilt. Rather, her mates encouraged her to explore it.

 

 

 

Book Review: Nothing Like a Duke

BookNothing Like a Duke

Author: Jane Ashford

Status: Don’t bother.

This book was one in a series. It may have been better if I’d read the rest of the series, but I doubt it.

NothingLikeADuke

Premise: I’m sure there is a premise… Woman goes to a house party and the man she loves happens to be there, but she didn’t know he’d be there, and he didn’t know she’d be there. Yeah, I’m still not sure what the story was supposed to be about, and I read the book.

Plot: I couldn’t find one. The hero goes to a house party to forget the heroine for reasons. Didn’t read the other books, so I don’t know why. Heroine goes to the same house party for reasons. I never really figured out why she went. It’s not clear other than she wanted to see the ton, but why she does must’ve been in another book.

While nothing in this book was deep, the part that was very disturbing to me was the way the author treated PTSD. I don’t think she did any research on it, or if she did, it was very superficial.

  • The heroine was apparently captured, tied up, and helpless at one point in an earlier book.
  • We’re told this is a big deal toward the end of the book. We’re never shown her nightmares, her fear of men, her fear of being in tight places (which happens). Even her being caught in a brier bush is told to us from the hero rather than a very deep and dramatic scene for the heroine.
  • The “cure” for this was for her to be attempted to be raped by another man and for the heroine to escape on her own.

I know very little about PTSD. Maybe this would work, or maybe it would deepen her fears. I don’t know. But the way it was handled was not believable to me.

Romance: The hero, Robert, already loves the heroine, Flora, from another book. Flora also loves Robert and has no real reason not to want the romance to happen. I’m not sure why this book wasn’t over in less than 50 pages rather than the 352 it took.

Steamy Scenes: There were none. Not one. So this isn’t where the filler came from to get to the 352 pages.

Imagery: Nothing was ever really brought alive for me. Nothing felt sumptuous or beautiful. So, this isn’t what filled the 352 pages, either.

Characters: There is no character development. Robert starts out as Robert and ends as Robert. We’re told he’s celebrated by the ton, what all gentleman aspire to be. Perhaps we were *shown* that in previous books, but not this one.

Flora learns all people in the ton are people rather than caricatures, but that’s really not a lot of growth, either. We’re told Flora is smart so freaking many times I was ready to scream. And she’s beautiful. And she’s smart. And she’s charitable. And she’s smart.

One of the things I hated most about this book is that so much of it focused on a rivalry between the heroine and another female character over the hero. It started to boarder on the absurd, and frankly, I am tired of the trope. I prefer to see female friendships rather than competition over a man. It was such a blatant competition, the one woman literally called the other her competitor. Yuck.

 

All in, I’d rather do the dishes or vacuum than read this novel a second time.

Book Review: Mine Till Midnight

Title: Mine Till Midnight

Author: Lisa Kleypas

Status: Worth a Read

Mine

 

I listened to this as an audiobook rather than read it. I am still pretty new to listening to books, but I am starting to really like it. The experience is different, and while I still prefer to read rather than listen to books, this is a great way to get some “reading” in while doing boring tasks like cleaning the kitchen or weeding.

 

Summary: After the death of their parents, four sisters are dependent on their older brother who has a promising future as an architect. When the brother loses the woman he loves to scarlet fever, he becomes a self-destructive boar. This is compounded when the deaths of three distant family members drop a “cursed” title and admission to the peerage on this brother.  The story centers around the oldest sister, Amelia. She’s forgone marriage herself to see to her family, keep them together, and keep them safe. She encounters Rohan, the hero of the story, while rescuing her brother from a gaming club.

Plot: Plot is pretty sparse. It’s basically getting Amelia and Rohan together as she deals with the trials of her family. With a suicidal brother, a sister with weak lungs from her bought with scarlet fever, to a kleptomaniac sister, Amelia has her hands full. The fact that the estates that came with the title are falling apart, literally, doesn’t help. There’s enough going to keep the story moving forward and keep Amelia and Rohan together without feeling contrived. I don’t expect more, so this was fine with me.

Romance: It’s pretty standard that he falls in love with her, then must convince her that she wants to give up her independence to be his bride. He has a few issues along the way coming to terms with his feelings, giving up his own freedom as he feels tied down by her world, but he comes to terms with them. No real spoiler here as this is a romance novel, but he gets her to agree to marry him by the end of the book. Some of her objections in the last quarter of the book become annoying, and this was one of the only part that had me rolling my eyes.

Characters: Rohan is half gypsy, so this is a unique spin on any romance novel I’ve ever read. I can tell the author did research on the gypsy people of the time. Or if she didn’t, she faked it exceedingly well. Possibly helped by the fact that none of my history classes even touched on them. War of the Roses? Oh yes. Roma people? Not at all.

Rohan is your typical physically powerful very rich male lead. But the fact that he’s an outcast for his mixed heritage adds a different flavor.

Amelia is your standard pretty spinster heroine who has put independence and siblings first. If you’ve ever dealt with difficult or unruly children, you’ll feel for her. She has personality, but not nearly as interesting as Rohan.

One thing I loved about this book was that woman are shown as friends. The Countess of Westcliff is kind and understanding. As is Lady St. Augustine. So many authors, far too many, in my opinion, show other women as rivals. They discard all notions of female friendship and focus on a very unhealthy rivalry. Always over a man. This author did NOT do that, and I very much appreciated it.

The sisters were kind and snarky to each other, as sisters will be.

Steamy Scenes: These are quite good. Very good. Some worth rereading. This is one of the author’s big strengths.

Use of Imagery: This is amazing. Her descriptive prowess is excellent, and she does it succinctly using terrific metaphors and similes I don’t usually here. She makes things feel sumptuous and sensual. This is a huge strength for this author.

 

All in, this is a good read from an author I had written off after not being able to get through more than a chapter or two of another one of her books. Makes a case for giving an author a second chance. And I never would have if I hadn’t been able to get her audiobooks from the library.

Book Review: A Devil in Winter

Book: A Devil in Winter

Author: Lisa Kleypas

Recommendation: Worth a Listen

I haven’t listened to audiobooks in years. I live to close to work, so it’s not worth queuing one up for the short commute. However, we’ve recently been struggling with a toddler who can climb out of her crib, and who will the moment she’s laid in it. As we’ve been working through these nightly issues, it has meant a lot of time in a darkened room.

I decided to borrow an audiobook from the library, and this was one of the few available in the romance genre. I’d picked up two other of Lisa Klepas books in the past, and I didn’t get far in either of them as I didn’t much like the characters. I hated the heroine in one and the hero in the other.

But a bad book was better than no book, so I borrowed it without much hope.

I was pleasantly surprised.

The narration was quite good. It took me almost twice as long to listen to the book as to read it, but as speed wasn’t a concern, I was okay with it.

Plot

A wealthy heiress is desperate to escape her horrible relatives. They beat her, starve her, and otherwise abuse her. She has no recourse as she’s a woman and cannot control her fortune herself. As they plan to force her to marry her abominable and disgusting cousin,  she takes action. I overlooked the absolute heartless family. It’s such a trope in books, that you find it even in modern classics like Harry Potter.

The heroine (Evie) steals out of her house and manages to get to the house of one of the most notorious rakes in London. And, one who is about to have his debts called in. So desperate to find an heiress to marry, he had actually tried to kidnap his best friend’s fiancee. (I assume this is all in another book).

Evie proposes to him. Sebastian St. Augustine marries her, gets her fortune so he gets out of debt, and she gets her freedom. She knows he doesn’t love her, or care about her, so she will be able to come and go as she likes.

He agrees, and the rest of the story revolves around them going from a marriage of convenience to one of love, and all of the changes that both of them undergo for that to happen.

 

Characters

There are lots of characters who make an appearance that I believe are from previous books. If I’d read those books, it probably would’ve meant more to me. I didn’t, and it didn’t detract from the story.

Overall, I was pleased with the characterization. Both Evie and Sebastian had upbringings that shaped them. The reconciliation between the two as they fell in love was real. The emotional distance real. This wasn’t something a 5 minute conversation was going to fix.

Evie needed to come to terms with how her own family had treated her and her ability to care for another. Especially a man with such a jaded past.

Sebastian had to come to terms with the abandonment he’d felt as child, and how he’d responded to it.

 

Steamy Scenes

These were quite good. If I had the book in kindle form, I would go back and reread them. Study them for ways to make my own writing better. I may yet open up the two books from this author I have and find the steamy bits.

 

All in, I am glad they had the book at the library and that I gave the author a second try. I may even go back and take a look at the two books of hers I have.

The Power of Stretch Goals to Help You Fail

Most of us who have spent any time in corporate America are familiar with SMART goals. Specific. Measurable. Achievable. Relevant. Time-Based.

 

goals1
Or to look at them and laugh while you pour yourself a glass of wine

Nanowrimo meets all of these.

For those not familiar, Nanowrimo is in the month of November, and writers strive to write fifty-thousand words in thirty days. There are support groups to help get there. Most writers ask spouses to help out with more around the house during the month. I’ve even heard of people pre-making suppers for a month so they can focus on writing.

As you can imagine, this is a massive goal. It equates to roughly 1,700 words a day, every day, during a month that includes Thanksgiving.

For most of us, this is a HUGE stretch goal. Especially if we aren’t used to doing that many words a day.

My personal goal is five-hundred words a day. I’ve found this manageable. I sometimes write more, sometimes less, but it gets books done.

While I support every one who attempts NaNoWriMo, my fear is that it discourages more people than it helps because it is so hard to achieve.

Even if you don’t write, you get how de-motivating a goal you see as impossible is. Or at least, a goal that becomes impossible a little ways into trying to achieveit.

And science agrees with you. Here are seven reasons why unrealistic stretch goals can sometimes make you fail:

  1. You don’t consider your resources –  In the example of NaNoWriMo, you have to consider how many hours a day you actually have to write. If you’re goal is to learn a new language, same thing. How much time do you have? If we assume you sleep seven hours a night, that leaves seventeen hours. Most of us have day jobs, that include a commute. That leaves seven hours. Still, sounds like a lot. Until you remember those seven hours also include exercising, helping the kids with their homework, making dinner, showering, spending time with your spouse, etc. Maybe an hour a day is still realistic, maybe it isn’t. But it’s something to think about.

 

  1. Focused on Short Term – When you set a short term goal, you have to consider the cost of achieving the goal. Let’s say your goal is to rebuild the engine on your classic car in a month. How is your family going to respond to mac & cheese every night (my toddler excluded)? How long does it take to rebuild support from your spouse? The last thing you want is your cheering section at home to become another obstacle you face. Don’t believe me? Imagine if one of your co-workers came to you and said they were taking on a special project, and as such, you’d be expected to stay and work unpaid overtime for the next month.

 

  1. Focus Exclusively on the Goal –   If you focus exclusively on a narrow goal, you can miss other areas that are important. Like editing. Plotting. Character development. Spending a little bit of time on the front end can really help with the story and make the rewriting process a little less painful. And, if the goal is word count, how do you judge editing? Particularly when editing can involve negative word count? Yet, editing is such a vital process of writing.

 

  1. Goal Impresses Rather than Guides –  I’ve seen people like this. “I’m going to do 100 push-ups” is a great goal. But, you don’t go from spending your days playing Mario Kart to doing 100 push-ups. You need a plan with smaller goals. Whatever your ultimate goal, you’ve got some work to do before you get there.

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  1. Failing can be Excusable – When you set unrealistic goals, it’s easy to excuse not meeting them because, well, they weren’t all that achievable. They were a stretch goal, and you weren’t able to stretch that much.

 

  1. Failing becomes Accepted – Once you can be excused for not reaching the goal, failing becomes acceptable. How many people fail to ever be able to do a 5k run that started the process and are totally fine with it?

 

goals3
All of our bosses have set one of these.
  1. Failing becomes Expected – Once failure becomes expected, well, you don’t really have a goal anymore, do you? I know I’ve seen this in corporate America more times than I can count

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So, while goal-setting has a lot of positive effects, it has some dark sides that people don’t always consider.

It gets back to the “attainable” part of SMART goals. Not attainable only when the planets align, but attainable on most days if we push for it.

So, perhaps not the Nanowrimo sprint, but maybe a five-hundred words per day marathon. Yes, it’s going to take 3.5 months to get the same 50,000 words, but perhaps that’s a habit you can maintain without your spouse threatening to throw your computer in the front lawn.

 

How about you? Have you ever found goal-setting to be de-motivating? Or maybe you’re just the opposite and goal setting really inspires you. How do you set your goals? How do you measure success?

Book Review: To Charm a Naughty Countess

Book: To Charm a Naughty Countess

Author: Theresa Romain

Recommendation: Skip It

NaughtyCountess

Premise: A duke who is deep in debt due to his father’s indulgences needs a wealthy bride to save his lands when creditors come calling. He offers one of the most exalted titles in the land in return for a rich dowry. A rich widowed countess offers to help him. It just so happens that these two are still in love with each other even after the happenings of eleven years ago.

Plot:  Wait, there is one? Oh yes, they love each other. She’s rich. He’s titled. And…it takes a whole book for them to admit to each other their feelings. Yeah, there’s some filler as to why they can’t. Frankly, I started skimming sections looking for the plot. There was none. No murder that needed solving, no werewolves skulking around, not even a previous jilted love interest. Literally, just the two of them getting around to admitting their feelings. For the whole book.

Characters: I didn’t really see any character development on either the hero or heroine’s part. They do eventually get around to admitting to themselves and each other their feelings, but there’s no real driving factor to this.

Romance: The characters were in love with each other at the beginning of the story, though they didn’t yet know it. Or they knew it and wouldn’t admit it. This was fine, but as this was the entire story with no other plot to back it up, it felt thinner than it otherwise would have.

Steamy Scenes: There were two in the whole book. One about half way through, the other at the end. They were good, not enough to save the book, but good.

 

Overall, not a terrible read, but not one I’d recommend either. With all of the romance novels out there, you can find one with more of a plot, or more steamy bits to keep you engaged.

Book Review: Her Highness and the Highlander

Book: Her Highness and the Highlander

Author: Tracy Anne Warren

Status: Worth a Look

This book was isn’t going to knock your socks off, but it’s a nice afternoon read.

Premise: A princess (from a fictional country) and her entourage are attacked on her way from her finishing school to London. She is the only survivor, and in her bedraggled state, no one will believe she’s royalty. She’s far from friends and family, and completely out of her element. A Scotsman on his way home from the Napoleonic Wars takes pity on her, helps her out, and eventually agrees to take her to London. Along the way, they fall on in love.
Plot: It’s pretty thin. We need a reason for the hero and heroine to be together. So, despite the massive battle that killed her entourage, captain of her guard, her uncle etc. no one finds any evidence of it. I guess they must’ve really been on back roads, and the bad guys must’ve had a veritable army to clean up the mess. Oh, no wait, it was one guy that cleaned it up. *shakes head*

I didn’t find it believable. But I suspended disbelief as we couldn’t have good guys finding her if she was going to need the hero to get her to London. Alone, of course.

Romance: They fall in love along the way to London. They’re so in lust with each other, that they need to quickly marry so they can have sex. Par for the romance genre, if a bit unbelievable. The author did try to make the princess seem like she’d be okay giving up her extremely privileged life to live with a commoner.

Steamy Scenes: This is really where the author shone. The steamy scenes were steamy, the prose pretty without getting in the way of what was going on between them. She used none of my automatic close the books words, so we’re good there.

Characters: There is no character development. Not really sure how they would develop as both seem pretty perfect from the beginning. This is your typical romance fare, so neither character is going to grow or develop in the story.

 

All in, a decent read. I finished it on a blustery afternoon, and it wasn’t gripping enough I couldn’t put it aside with ease to make snacks for the kids. At the same time, it entertained and didn’t disappoint with the ending.

Book Review: Crux

Title: Crux

Author: Moira Rogers

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It’s been a while since I’ve done a book review. Mostly because I haven’t been able to get all the way through any. I’ve been unbelievably picky and critical of late, and I fear that’s going to show through in this review. See, I can’t just turn my brain off and accept. I need things to make sense, to form a picture, and to follow some basic rules. Both of human nature and of fiction writing.

I will preface this by saying I’m not sure I’d have finished this book if not for my little one being sick and wanting me to snuggle with her. I needed something to do, so I read.

I’m not going to rate this as I’m still not sure how I feel about rating books, but I will give you my honest thoughts.

 

Genre

Southern Arcana is not my usual fare, but it was billed as romance novel with these elements, so I went for it. Interestingly enough, the paranormal aspects were mostly fine. I don’t mind werewolves, wizards, or shifters in my stories.  The author did seem to have a thorough understanding of this genre, and I could see her building a world with it.

 

Setting

The main back-drop of the story is New Orleans, but I’m not sure the author has ever been there. After living there myself for five years, I can tell you a northerner would not survive August in New Orleans wearing a sweatshirt. Most southerners couldn’t.

I also never felt like the author transported me back to the city. No mention of the oppressive heat, humidity or smell. Places like Café Du Monde and things like beignets were used to add flavor, but that’s about it. I get that not every writer can afford to visit, and it is the ideal setting for anything mystic. I know. I lived there.

There were the beginning overtures of politics in the supernatural society, and perhaps that will be fleshed out in later novels. It didn’t matter for this one, and I appreciate the author not spending a lot of time on it.

 

Characters

This was a mixed bag

There was a huge cast of characters. Not entirely sure why there were so many, but I’m assuming it’s a set-up for more books. Rather annoying, but okay. I get it.

The characters were all beautiful and sexy, standard fare for a romance novel.

Heroine – I liked the heroine. She was strong, but believable. Her fear, her disbelief. I got it. Only part that made me raise my brows was that she was in love with the hero in less than a week. In less than two days, actually.

Hero – He was pretty flat. Attractive, a bit of southern ladies’ man, a good cook, and a first rate wizard. Yup, that sums up his whole character.

Beyond this, things go downhill pretty fast. No one else really stands out, except for the “reformed” bad guy, Marcus, but his redemption was simply not believable.

Marcus  – He’s been raised by Big Bad Guy who’s a fanatic trying to save Marcus’s race of shifters. Marcus has believed in Big Bad’s cause his whole life. Calls Big Bad dad. Yet, a conversation or two with the heroine, not even all that deep or meaningful, and suddenly he’s ready to leave his father, abandon the cause he’s spent his whole life fighting for, and help her escape.

Um, no.

Not buying it for a minute. There was no soul-searching on Marcus’s part. No moment of truth. No pivotal event that inspired a change. Just a five minute conversation. This needed so much more. It’s not like Darth Vadar turned against the Emperor because Luke mentioned what a bad guy the Emperor is.

 

Plot

The plot was thin, and I felt the execution was lacking. Not quite Dues ex Machina, but pretty close. (Spoilers Ahead)

Act Three  – First Surprise – Nothing new should be introduced in Act Three, much less the end of Act Three. The author has established that not all supernatural phenomena are real (such as vampires not being real in this world). Suddenly, in Act Three, not only do we learn psychics are real, but we learn this as one is calling the hero to warn him about Big Bad.

Um, yeah.

To make this believable, the fact that there is a psychic and he’s real should’ve been introduced in Act One as part of the investigation the hero and his partner are working on before the heroine flies into their lives.

Act Three  – Second Surprise – Also, in Act Three, it’s revealed that the way the hero and heroine are going to defeat Big Bad is by merging their (souls?) and thus merging her shifting with his magic to make something as powerful as Big Bad.

Yeah, no.

Introducing this at the end is cheap. Also, not believable. Because, really, if you could combine a magic user and shapeshifter to create a being with off-the-charts power, people are going to be doing this left and right. It’s human nature.  It’s not like there was some epic quest to discover this information. Or they had to meet some unattainable criteria to do it. It was more of an “oh, by the way” moment standing in the kitchen. I wish I was kidding.

There is “risk” to them for doing the “merge”. Should something bad happen to either the mage or the shifter while they’re linked, bad things can happen to the other. Um, yeah, not nearly a big enough risk for magical types to not be doing this joining left and right.

Big Bad Lacks Consistency – For me, consistency is a must. Super powerful Big Bad can wipe the heroine’s personality and replace it with one that she goes along with him. So why didn’t he just do it? Why wait to wipe her after she’s made her hatred clear? Why didn’t he wipe her parents’ or Marcus’s parents’ personalities rather than kill them and exacerbate the issue of saving this race of shifters? Marcus and the heroine’s parents could’ve had more children that would become shifters had he let them live and simply made them docile. Doesn’t make sense, and this personality wipe was a key motive for her and Marcus.

Poor Character Motivation – I felt like character motivation was seriously lacking for the plethora of side characters. They need to be doing what they’re doing for their own ends not just because the plot requires it.

I mean, why would someone risk their life for a woman they’ve known a week? Or their twin sister’s life? Why, exactly, would the Werewolf Consortium care that some super powerful non-werewolf shifter killed a couple of people and is trying to kidnap a girl? I mean, if they really cared about those kinds of things, think of all the non-shifters they should be hunting down. They have no reason to join the fight, much less bring out their “big guns” which was required to take down Big Bad.

Hero and Heroine Feel Secondary – Yeah, they were the love interests. And at the very end they finally did things, but I prefer a story where the hero and heroine are doing more of the heavy lifting.  Helping figure stuff out. There was a whole cast doing most of the hard work and problem solving for them.

Ending Felt Taped On – After the heroine was captured (which I always dislike), I expected the story to come to a climactic ending. A big fight. Good guys win. Everyone goes home. Nope. They get her back, we have the Act Three surprises, and then there’s a much less climactic battle where the hero and heroine combine their powers and take out Big Bad. I almost felt like the author was stretching the ending for word count.

 

All in, it might have been a good read if I could’ve turned my brain off and just enjoyed. I couldn’t. One of my enduring problems. This is the first book of a series, but I won’t be buying the second. Your mileage may vary. Depends on what you’re looking for in a story.

 

Where's the Obsession?

I finished up my revision over two weeks ago. Normally, I’d be plunging ahead into my next project, flush with the excitement of something new.

Except this time, the creativity isn’t coming.

inspiration
You and me both.
Reminds me of the song Where Have All the Cowboys Gone by Paula Cole, just replace Cowboys in the song with inspiration. Interesting that I’ve never been a big fan of the song. Kept trying to figure out why the singer needed a cowboy rather than making her own happily-ever-after if she wasn’t finding it from her partner. I listen to lyrics too closely, sometimes.

Still, I have several characters floating around in my head, but none of them are really meshing with a solid story or a love interest. I write Romance, so the love interest is critical.

Not sure what’s causing this. Perhaps I’m trying too hard. Or not hard enough. Or I’m feeling burned out with the book I wrote, the other I revised, and having a full time job.

Or, perhaps, I’m having a bit of a book hangover.

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I spent a lot of time with the last set of characters. Really working hard to put them on the page and bring them to life.

Normally, the way I deal with loss is move right into the next story. But it’s not working this time. The first few weeks of writing a new story is what carries me through. The excitement. The freshness of the project. The need to get the swirling maelstrom in my head onto paper.

I normally love starting a new project. The time to create. To make something out of nothing.

So far, no fabulous ideas begging to be put on paper have usurped my every waking moment. I tried reading a couple of novels for inspiration, but I couldn’t get into them either.

Not sure what’s creating this sudden lack of creativity, but it can go ahead and be on its way now. I’m ready for my next obsession.

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How about you? Ever have your creativity suddenly dry up or just lose interest in something? What did you do to rekindle the spark?