It’s the end of March. As you can tell, February and March aren’t complete, but April is. That’s because February and March involved a great many thing related to a new book release in April that is not happening in April.
Two more months’ worth of things have been added, so I really have fourteen months of work to accomplish in twelve.
Sounds like my day job.
Still, I am making progress.
I am trying to decide if I quit working on the brand new story I’m writing and go back to editing Knight of Valor, or if I should finish this fresh WIP then settle in for a long bout of editing. Not only does Knight of Valor need editing, but Pirate Captain’s Daughter is rough.
Even for a second draft. I need to work on the heroine in that a lot more before it goes to a beta reader.
And, I can’t edit and create new at the same time. I’ve tried. It doesn’t work for me.
Originally, May’s goal was to finish the WIP I started in April. I know how hard it is to drop a WIP half-way through and try to pick it back up again. I’d love to say I always finish. But I don’t.
Not the kind of person I want to be, but best to know yourself
My current plan to finish this WIP, then I will be spending a great dal of time editing. First, Knight of Valor. That may mean pushing off the other edits as you can only spend so much time editing before you need the rush of creativity that comes from creating new.
Yeah, I know, the rainbows, unicorns and butterflies of a writer.
But if my writing journey has taught me anything, it’s to trust my own process. It might not work for Nora Roberts or Stephen King, but so far, it works for me.
Their processes may be better, and their processes certainly create best-selling books, but we all have to start somewhere.
How about you? Are there things you just can’t do together no matter what the experts tell you? Can you finish something half way, put it down, and pick it back up again?
My beta reader was taking a bit longer than normal on this particular piece of work, and while I was a bit worried about it, they have a very busy life.
Yeah, that wasn’t it (though they do). Nice try on my part.
She gave me some high level feedback explaining why it was taking a bit longer.
There will be a bit of a delay in releasing Knight of Valor.
She noted I needed to tighten my beginning. Doable within my original release date timeline.
More than that, I needed to flesh out my hero in the beginning. She thought he felt flat. I cringed a little, knowing why she was saying it and where it came from.
I wrote this book over four years ago. It was one of three books I completed when I first got back into writing, and the only one I loved the characters enough to try to salvage. The other two are now buried on my hard drive and are not fit for human eyes.
But I loved Sir Marcus. I wanted to do him justice. And through him and his story, and I pushed myself to do better as a writer. His story helped me learn a lot about finding my voice, plot and character development, and even trusting myself as a writer.
So, I’d set Knight of Valor aside for a while and work on other things, become a better writer, and tackle this story again.
During the process, I read a whole bunch of craft books. And you can see their influence on the story. One of them was how to write a romance hero…and I did Sir Marcus a lot of disservice. Granted, he overcomes the bad writing advice towards the middle on the book, but it takes him a while.
At the time, they were telling romance authors that romance readers wanted alpha heroes. Don’t even bother writing anything else as it won’t sell and an agent won’t want it. So I changed him.
And he was no longer Sir Marcus.
Don’t misunderstand me. He is neither meek nor mild. He was not the “chosen one” and forced to do anything. He saw evil, and if there was a chance he could destroy that evil, he had to try. He dedicated most of his life training to do just that.
But he’s still a genuinely nice guy. The kind of person who’d come over and help you fix your roof because he heard you were having trouble without being asked. You’d share an ale afterwards, and that would be all the thanks he’d need or want.
Punch a kid or kick or dog? You don’t want him to see you do that.
Kill a village to fuel a evil spell?
Time to run. Fast.
So, I need to let his true personality shine through the first half of the book as well as the second. No easy task, that.
Oh, and I need to fix a plot hole, tighten up my pacing, and remove a few loose ends from earlier drafts I missed. And this is before I get back the full list of revisions.
I see why this is taking a bit of time to get back the beta read. I also know I sent this out for just this reason.
I am literally on my eighteenth revision of this story. Yeah. Eighteenth. That I’ve counted. The first draft and several subsequent ones (no idea how how many four, maybe five?), I didn’t number and track. I am really close to this story, and I’ve put a lot of work into it. I can sometimes lose the forest through the trees. So I need more help on this than most.
It means a lot to me. I really want to get it right.
So, this is going to be a large revision, not a small tighten-things-up late game revision.
And that’s okay. Sir Marcus deserves the best story I can give him.
Yes, it means my entire plan for the year needs to change.
Yes, it means I will not make that April publishing deadline.
Both are okay.
I want to give you the best story I can.
Delaying the release date until June or July gives me the time to make it the best that I can right now.
So, when I mentioned that I’m working on a romance novel, or several of them, I also said that editing them consumes much of my writing time.
Beth Turnage had a question on what I do to revise my novels, but it’s so integral to how I write, that I thought I’d share my process.
I’m not saying this is good or bad as every writer is different. As with most creative endeavors, what works for one artist won’t work for another. But here’s my:
My Eleven Steps to Writing a Romance Novel
1. Spend Some Time Thinking about the Characters
You’ll notice I didn’t say plotting. And I don’t. I wish I did, oh, how I wish I did! You may have noticed that I tend to be an organized person with a spreadsheet for most things. But I can’t do it with writing. Yet.
But I didn’t say plotting, I said thinking about the characters. Who are they? What motivates them? Why do I care about them? If I’m really lucky, I can toss the characters around with my husband. Talk about them, about what they’d do in different situations. This is my sandbox time with them. Nothing is off the table. Sometimes, I’ll come up with characters and situations that lead to two stories. Sometimes, they bore me and I table them until later.
Honestly? This is one of the most fun parts of writing.
2. Write the Skeletal First Draft
I’m not kidding about it being skeletal. My first draft of the romance novel is very bare bones. Usually around 40k-45k words for a book that will end up being around 70k-80k words. I’m not sure why I write this way, but I’m not one of the authors that needs to cut a lot. Usually, I need to add more. A whole lot more. But that’s for the second draft. This first draft gets down the characters and what’s happening in the story. Mostly.
3. Take 6 Weeks Away from the First Draft
Yep. I now spend at least six weeks away from the first draft. I have plenty of other editing to do, or another first draft to write.
4. Go Back and Make the First Draft Coherent
At this stage, I read the first draft again so I have a clue what I’m facing. Then, I try to weave any themes I see later in the book into the earlier sections as I focus on adding all the stuff I skipped in the first draft. This tends to include, but is not limited to:
Writing better transitions
Adding details such as taste, sounds and smell
Giving a better insight into characters’ thoughts and feelings.
Many times, this draft will include adding entirely new scenes. In one story I wrote, it involved moving when the hero and heroine are married from the end of the book to the beginning. Yeah, huge change. But as I was reading the draft, I realized there was a huge plot hole, and to fix it, the hero and heroine required an earlier wedding. It meant using other things to “keep them apart”, but the novel was much better for the change. It was still a lot of rewriting.
5. Tidy Up the Second Draft
At this point, most of the stuff is in the right places. This revision has me looking more at are characters being true to themselves in dialogue tags and mannerisms. Tidying up word choices, particularly word repetition. I add more description, and I smooth over as many rough edges as I can find.
6. Send It to My Alpha Reader
I then send the romance novel to my Alpha reader. They are not a detailed reviewer. Rather, they tell me if they liked the story. If they liked the characters. If they wanted to see the hero and heroine get together in the end, and if the obstacles in the story were believable. They also tell me if there is anything unclear. If I have to explain a part to my alpha reader, then I need to go in and fix it to make it clear as I won’t have that option with a final reader.
7. Alpha Reader Revision
I go through the story again and make most of the changes my alpha reader recommended (usually all). I do another clean-up revision while doing this.
8. Send it to My Beta Reader
At this point, I feel like the story is pretty clean, so I send it to my beta reader. I only have one at this point, but she’s awesome. She gives me constructive criticism where I need it, but she also points out what I’m doing well. She does a much more detailed review, marking areas that feel rushed, transitions that need work, or spots that aren’t clear. She also makes sure my characters stay in character. If I get cheesy or whiny (which, I’ve gotten MUCH better about), she’ll tell me that, too.
9. Beta Reader Revision
I go through the story again and make most of the changes my beta reader recommended. This sometimes has a few larger things to address, and as I do them, I do another revision of my own.
10. Detail Revision
This is the revision where I go through the work and look for word choice, punctuation, grammar, all the important things so that the writing itself is understandable and errors don’t pull you out of the work. I purchase Pro Writing Aid this year, and I am going to try that as well.
11. Final Polishing Edit
One last look through before I release my book baby into the wild.
I’d love to afford a real editor, but at $2 per page, I’d be looking at almost $700 to have a book edited. and that’s on the cheaper side. I’m sure they’d make my work better, but I just can’t afford them yet.
So, there it is. I will say that this is my most recent pattern. The first book I wrote after taking up the keyboard again is sitting mothballed, and that doesn’t include all the other ones I wrote ages ago that are also forgotten electrons.
The first romance novel I wrote that I actually plan to publish took a far more circuitous route to finish. But as I now have six novels in progress, not including the ones I started and kicked aside along the way, I’m starting to find my rhythm. It might not be perfect, but it’s mostly working for me.
If you’re a writer, what’s your process? Even if you’re not a writer, any tips or pointers on editing? Maybe you do something else creative? If so, what’s your process?
And yes, this is approximately 66% for me. As a romance writer, I like my works to come in around 70-80k words. I write a very bare bone first draft, so I leave myself space to go back and add in more during revisions. Things like scents and sounds to help the reader feel closer to the action. More description…or description at all.
My beta reader has nailed me for the number of sensory deprivation rooms I have in my early drafts. I’m much better about finding it and correcting it myself now, but that still means more words.
So, why am I celebrating the 66% mark? Am I that desperate for recognition? Maybe a little, but that’s not the point.
Why is the 66% mark important to me? Because at this point, I’ve conquered the dreaded middle.
I’m a pantser when I write. Yes, I’ve tried outlines.
Outlines simply don’t work for me. I’ve given up trying for the moment, and I’ve given myself over to letting the characters show me what’s going to happen.
I know where the story starts. I know how it ends. What I don’t know is the middle. How are they going to get there? It’s this middle part that teaches me a lot about the characters, what deeper internal motivators they have, their hopes, fears, etc.
The beginning, that’s really their face to the world. Their mask. To get them to reveal more, I have to throw some things at them. See how they react.
By the end of the story, well, you know me. There is going to be a happily-ever-after (HEA). That’s a given.
Sometimes, getting the characters to come clean in the middle is really hard. Either they have a lot to hide, or I am trying to author-plot and not let things evolve on their own. Me not stepping back and giving the characters agency is usually the issue, but sometimes the obstacles I throw at them are not significant to get them to come clean on their real internal struggles.
Does this mean a lot of revision later? You betcha.
Now that you know the characters better, you have to push all you’ve learned back to the beginning of the story. Let who they are peek around the corners of who they want you to believe they are. It requires changes to the beginning, and as I rewrite and delve deeper, it frequently requires a change in the ending as well. And lots more tinkering throughout.
But that’s revision. That’s later. Right now, it’s all about getting the electrons on the screen in a pattern that resembles words. Most of which will change later.
But if I can get through the middle, I have a really good shot of finishing the book. The end usually writes faster than any other part as we barrel towards the climactic resolution and our happily-ever-after.
Of course, I will probably have to rewrite the ending. The one novel I’ve polished and am querying had four different endings before I was happy.
Still, here’s hoping I can get that last 20,000 words and have another first draft waiting to be revised.
The one thing about us writers is, well, we write. I’ve been writing on-and-off since I was twelve, but I’ve been known to put it down altogether for long stretches.
Perhaps you’ve even put it aside from time to time, too.
For me, the longest I stopped writing was when we decided to start a family. There was an amazing amount to do to get our lives ready and *so* much to read.
Why don’t babies actually follow what’s in the books?!? Do you know how many times I showed my infant what the “experts” had written as she continued to never sleep unless she was being held?
Even with all this preparation, we were totally unprepared for the realities of being parents.
I fell into the routine many new mothers do and spent very little time on myself. If I wasn’t at work, I was with our little one.
After my second daughter was born, I watched a lot of TED talks. They were interesting, and they didn’t mess with my new-mom emotions. This one by Larry Smith , convinced me to start writing again. I literally got an old notebook that afternoon and started jotting down ideas.
I attempted to write that story. I mapped it all out, complete with plot and character outlines, applied bottom to chair, and churned out 50k words in five months.
Then shelved it.
The characters weren’t working. The plot was there but forced, even though I’d diligently followed my outlines.
I tried revising it, but my hero would’ve rolled his eyes at me if he could. It wasn’t his story. I’d been so busy sticking to my plot-points and outlines that I hadn’t listened to the characters.
I gave up and started a new novel. I plotted nothing. I let the story unfold as I wrote it. I completed the first 50k draft in three months. It was a rough first draft. Very, very rough. But it worked, and I loved the characters. I wanted to see them get together.
I still remember the climactic ending coming to me as I was driving to work after dropping the kids off at daycare, and I had to pull the car over and write it down before I forgot it. That’s when I knew the story was really working.
I’ve managed to write three more full novels in the year-and-a-half since, in addition to my full-time day-job, blogging, and two small children. Here’s what’s worked for me:
Write Every Day – I’d originally thought the more I wrote, the more burned out I’d get. Not true. It’s amazing how creativity inspires more creativity. Writing is a skill, just like anything else. The more you do it, the better you’ll be. Sure, I can still get on a bike and pedal it, but teaching my oldest child to ride a bike made me realize that the elliptical machine does not keep you in shape for bike riding.
Carve out Writing Time and Defend It (Even from Yourself) – My spouse has been amazingly supportive of me getting back into writing, and he’s agreed to be the primary parent for an hour each night after the kids are supposed to be in bed (yeah, you other parents out there know that’s a big “supposed to”). But if I spend that hour surfing the net, I’m stealing the time from my writing as surely as my daughter is stealing my patience when she comes out for her third cup of water.
Keep a Notebook – my mind does amazing things while I’m walking, driving, or when I first get up in the morning. But those thoughts will dissipate like fog in the noon sun the moment I get back inside, the engine turns off, or I swing my legs out of bed. I need a notebook to write these amazing bits of creativity down. My phone works well for this, too.
Perfection Is the Enemy – get that rough draft down on paper. If you want to make changes, make a note of it and keep going. You can polish a rough draft. There’s nothing you can do with a blank page. Finish the story. Crappy is still done and gives you a place to start rewriting.
Give Yourself a Couple of Months Before You Edit – This is one of the biggest things I learned with my first completed story. I was too close to the characters, the plot, and even the writing itself. I spent a lot of time “editing” that was really just patting myself on the back for what I’d written. When I went back and looked at it two months later, I had a much clearer view of what needed help.
Find a Good Beta Reader – a good beta reader is worth their weight in Starbucks. They’ll help you see plot holes, character issues, and other things you’re too invested in your book to see. If you’ve got a good beta reader, of course you’re going to follow their advice even if it means a painful rewrite.
Read, but Read Critically – Lots of writing advice says you have to read a lot to be a good writer. I think this is over-simplified. Reading is helpful only if you take the time to figure out why one author engages you but another doesn’t. Why do you like a character, hate them, or think they’re too stupid to breathe? Why are you on the edge of your seat reading this thriller but not that one?
Take What Works for You and Toss out the Rest. Writing is a creative endeavor. What inspires my muse may drive yours away. Some writers swear by an outline, whereas it brings out my type A personality.
How about you? Any good writing tips you’d like to share? Anything that’s worked for you? Anything that hasn’t?
I’ve talked to you about my first drafts and how they require a great deal of editing. I think most novels require some level of editing after they’re complete.
As much as we’d all like to produce J.K. Rowling or Stephen King level work on our first draft, I have yet to see someone who does. I try so hard not to cringe when I hear a writer say they’ve just finished up, they’re going to take a look at it, and then self-publish.
As I am working through this first rewrite, there are 7 things I really focus on:
1. Beta reader Comments – this isn’t entirely fair as I don’t even let a story out to Beta readers until I’ve done a revision or two. But once I do send it out, I take their comments very seriously. These are no people who’ve spent months with these characters in their heads. They frequently see things more clearly than I do as I sometimes get lost in the trees and can’t see the forest.
2. Characters – this is where I spend the lion’s share of my time. I’ve put together a lot of stuff on heroine analysis here, here and here. And on heroes here and here. During this first revision process, I know my character a lot better than when I was writing them. They’ve shown me more. I’ve been with them all the way through the end of the story. Seen their foibles, felt their fears. Seen them succeed or fail. I know a lot more about them, and I can bring that back through the whole story. Here are a few things I consider:
Do I like the hero or heroine? If either are unlikeable, time to rewrite. And no, this doesn’t mean they need to be “perfect”. Truly likeable characters seldom are.Is what the character doing within their personality?
Are they making choices true to them? For example, is the British spy-master forgetting who he is and what he does to marry a woman being manipulated by a French spy-master. Please, please, please tell me no. Or go back and rewrite it.
Do their words in the dialogue sound like them? I still struggle with this, but a prince and scullery maid should not be using the same words.
Do I want to see them get what they want? Will the characters getting what they want give the reader that happy smile that says “I just read a great romance novel”.
Invariably, I answer “no” to some of these things, and that means rewriting. Sometimes it means changing the characters early on in the story, and that usually flows into changes later.
And that means the ending must change. *sigh* Perhaps with practice, I’ll get better at getting the characters right earlier in the writing process and not have to scrap the last 10-15% of the story.
3. Point of View – This is an area that an editor corrected me on. Once, romance authors were allowed to go back-and-forth between the hero and heroine’s point of view in the same scene. Best-selling authors and authors who started when this was allowed are still allowed to do this. Those of us that are trying to break into the genre aren’t. Changing the point-of-view and making sure I stick to it has been one of the most difficult aspects of rewriting for me.
4. Plot – A lot of this is taken care of by character actions. But, I want to make sure things are logical and consistent.
Is anything happening that appears weird, unusual or out of context?
Am I keeping things happening at a realistic but not boring clip? This should be true for the external plot as well as the romance itself.
The romance is the main plot. But I can’t tolerate lack-of-communication or stupidity, so it has to be real things keeping the characters apart.
Is it engaging? Do I want to know what happens next?
5. Descriptions – My first draft is pretty bare bones. What will ultimately be a 75,000 – 85,000 word novel starts out at around 50,000-60,00 when I’m done. Why? Because I’m so busy getting things done in the story that I skip right over descriptions. My first draft sort of takes place in a void. Yeah, there are occasional descriptors, but nothing that pulls in the reader with sounds and smells. Maybe even tastes.
6. De-Clunking – Revising clunky words or phrases and streamlining the actual words themselves. This takes a larger chunk of time than it looks, but it’s important that the story reads well/
7. Grammar, Punctuation and Spelling I don’t bother much with this in the first edit as so much that’s going to be rewritten, I wait and save this revision for prose I’m pretty sure isn’t going to just get cut.
How about you? What’s your rewriting/editing strategy? How do you tackle it? What do you look for first? How long do you wait after writing the first draft to start revising it?