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Fantasy Romance

Writing

Writing Process: The Writer Rebels

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I know, I’m supposed to be revising Knight of Valor.

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Sir Marcus, the hero in the story, is one of my favorite characters ever. I want to do him justice in the story. I want to the book to be as close to perfect as I can get it.

But, a story idea has been heckling me since May. It wants to be written. So, feeling a little burned out from editing Seducing the Ice Queen, I decided to start this other story.

Squee!

I love the high of beginning a new work! The rush of possibilities. Seeing things unfold.

I am in full pantser mode.

Yeah, I’m at 10k words. Things are still flowing like a bright river of gold. My muse is screaming in my ear. I can’t get the characters out of my head.

Magic

It’s a runner’s high but for writers. This is literally the best part of writing.

Now, to still be here at 35k words…

Delays, Delays, Delays

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Yes, it is the end of September. No, Seducing the Ice Queen isn’t done.

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I know, I promised September. And while the story is written and completely revised, I am still waiting on my cover artist. She is struggling with this cover, and so far, I have nothing to even show you.

And as we all judge a book by its cover, I want it to be good. Really good. One I’m excited to share with you.

I don’t have that. Yet.

I was supposed to have the cover two weeks ago, so I thought it would be ready for today. I am learning that deadlines mean less in creative endeavors than they do in corporate finance.

Once I get the cover, I will do the final formatting for the book. I then order the first copy for myself. I get to hold it in my hands, but I also do a final read through to make sure I didn’t miss anything.

If you want to join my mailing list, I will send out word there as soon as it is ready.

For Knight of Valor (currently in revision), I will order my cover at least a month in advance!

 

Writing Process: To Love a Prince

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I am a panster.

 

For those that haven’t heard this term before, it means I write books “by the seat of my pants” rather than plotting out my novels.

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This can be a real issue for a pantser

My prep work involves knowing who the characters are, a little bit about them, and the high-level issues they’re facing. Combined with a huge dose of “I really want to write about them”.

There’s a lot of debate about pantsing versus plotting. Plotting is where you spend a lot more time outlining what’s going to happen and when.

I’ve tried plotting.

Many times.

And I have 4 novels with 10k-20k words in them that I’ll probably never complete. I’m not sure why plotting doesn’t work for me.

Maybe I feel like the story has already been told when I plot. Maybe I get bored writing it. Maybe I rush forward to write all the plot points and ignore the characters.

I’m not sure, but I do know it doesn’t work. For me.

Writing To Love a Prince really taught me this. I started this story three times. I have one 60k work that is not salvageable where Prince Eli was supposed to be the hero. Yeah. 60k. But it was awful.

And it wasn’t Eli.

I couldn’t make him weak. I couldn’t make him indecisive.  He needed to be in control, and if he wasn’t, he was going to fight like an injured bear to get back into control.

He also didn’t care much what society said about him. He was a Prince. Let them fear him. Despise him. But they would respect him or face his wrath.

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The end result of listening.

Yeah. The first story I wrote with him being injured and nursed back to health failed spectacularly. The second story where he was stymied by social pressure made him raise a brow. He almost rolled his eyes at me, but he’s too dignified for that.

Sure, the stories were plotted, but they weren’t his story. So I let him tell his. I was very hesitant at how the story progressed, especially as it involved a slave and royal succession.

I also worried Auburn’s kindness would be perceived as weakness. I tried changing her, but it just didn’t work. She had to be who she was because Eli fell in love with her for that. In a world as conniving as the court he’d grown up in, Auburn was his beacon of light.

I tried plotting once or twice more after To Love a Prince, but those failed, too.

So now I write by the seat of my pants. Yes, it means a lot more revisions. But I love writing that first draft! Seeing the characters revealed, their love grow, and see them overcome whatever I throw at them..

That is why I write.

Progress!

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I have finished my current edit on Seducing the Ice Queen.

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*happy dance*

I am taking a short break from the story before starting my final line edit that focuses on things like comma usage, word variation, and not ending sentences with prepositions.

On day two of this break, a whole new idea smacked me. I started writing it, and after two days, I’m over 4,000 words into it and still going strong! If not for this pesky thing called a day job, I’d be much farther along.

The characters are really coming alive, and that’s the best part about writing for me.

Yes it’s a first draft, and I both love and fear this draft. I love it because anything is possible. Because as I write it, I get to know the characters. Their foibles, fallacies, and strengths. I am a pantser, so this first draft is where I learn what happens to the characters and how they get their happily-ever-after.

*squee*

However, I also fear it because I’m staring at a blank sheet. There is nothing there to rearrange, fix or correct. It’s empty, waiting for those first words that will spur the next eleven revisions. There is no wordsmithed beauty to it. It’s raw and dirty, this first draft.

And that’s okay.

I just have to get it on the page.

After the blow my writing took back in July, I am ecstatic that my muse came back to sit on my shoulder again.

Magic

I’ve missed her, and I’ve missed the joy of creating new worlds and the people in them.

It’s My Story. Thanks Anyway.

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I am not very good at listening.

So, as I told you here, my paid editor didn’t like the villain in my current romance novel. She thought the bad guy needed more than just a sense of greed and entitlement.

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Because no one, especially a great author, has ever used greed as motivator.

So, I added another character that was supposed to be the star-crossed villain, doing evil things out of love. I revamped the original villain to be more sympathetic. I did everything the editor said I should.

And it didn’t work.

Why?

Because now I like the characters, and the new “villain” developed their own character in the process. Becoming a person that wouldn’t actually commit murder.

*throws hands up*

I know. I hate it when characters stop listening to their author-god and go do their own thing.

But see, here’s the thing. People do bad stuff all the time. People are motivated by greed, and fear, and lust. Not everyone is altruistic.

I’m not even sure everyone is a hero in their own story.

Yeah, I know us writers are fed this a great deal. But I’m not sure it’s true.

Not everyone thinks they’re blameless. Some people know what they’re doing is wrong and do it anyway.

I want this thing, so I’m going to take it. Yeah, it’s wrong. So what? Yeah, it may hurt someone, but I’m going to take what I want.

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Don’t believe me?

How many con artists are scamming people out of their money and justifying it to themselves on some higher moral ground? Because there’s totally heroic reasons to call a grandmother pretending to be her granddaughter in a horrible car accident and beg for money in the form of non-traceable gift cards so the hospital will admit her. *that was sarcasm*

Or calling parents and telling them their child was kidnapped and demanding ransom money or they’re be killed.

So, maybe the villain in this story really is just in it for money. Maybe they’re willing to steal an old man’s retirement savings by pretending to be the love his life. Or maybe they’re willing to kill a scrupulous duke to keep gold flowing.

It’s my story. And while this villain may have had a traumatic childhood on the streets of Aerius, that’s not the story.

I don’t care why he values money over someone’s life. He does. And a flip through the news will show he’s not alone.

My Little Secret

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Okay, maybe not so secret. I’ve been struggling with this latest rewrite on my novel.

When I received my beta readers’ comments, I read through them, nodded vigorously, and spent the next ten days revising my WIP with these comments in mind. I think they added a lot to the story.

BetaReader

Then I received the comments from my paid editor.

I read through them twice. I pondered them. I told myself over and over again that editors are usually correct and these are changes I need to make.

But actually making them?

That hasn’t really happened easily. After more than a month, I have completed less than 1/3 of what I did in ten days for beta reader comments.

But then I’m not terribly surprised.

I read the comments again, and one recommended that there was so little going on in the story that I should consider chopping it down to a novella. That surprised me as one of my beta readers liked how plot driven this novel was.

But then who wants to be told about a character’s emotional state more than once in a romance novel? Yes, that was sarcasm. Sorry.

Interestingly, one of my beta readers wanted more description of character emotion.

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Getting here is the story.

Another comment recommended using flashbacks to tell the back story rather than have so much of it come through dialogue. After all, who is Auburn and Eli? That told me the editor hadn’t done any research on me, or read the part where I told her this was the second book of a series. It also told me she didn’t read much in the romance genre as I can’t remember once, in over thirty years of reading romance novels, where an author used a flashback. I’ve also read a lot of writing advice about not using them as it rips the reader out of your world.

I’m not certain the editor was revising a romance novel with a mystery supporting it. I think she was revising a mystery with a romance in it. But that’s not what I wrote. Or what I wanted to write.

I’m now more than a month away from when I received the editor’s advice. I will take some of it. For example, I will try to give you more insight into the villain and why he was doing what he was doing. Make him appear less one-dimensional and motivated by more than greed and jealousy. I can do that. I can also try to throw in a few more red herrings.

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But honestly, I am starting to see how bad advice can be worse than no advice at all. Worse yet is bad advice mixed with a bit of good. Trying to sort through it and pick out the parts that work, without swallowing the bad parts, is tricky.

It’s extremely hard to put so much of yourself into something like a book, then hand it out to a stranger. A professional, but still a stranger, and pay for their help to make it better.

It’s harder still when you’re not sure they’re right.